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Prior to relocating to Provincetown in 2014, Kurt Reynolds resided in Boston. He is best known for a body of work which chronicles the earlier days of the HIV/ AIDS epidemic, at which time his work was exhibited widely and documented in the media. Kurt’s work has been exhibited at The Institute of Contemporary Art, Boston, The Somerville
Prior to relocating to Provincetown in 2014, Kurt Reynolds resided in Boston. He is best known for a body of work which chronicles the earlier days of the HIV/ AIDS epidemic, at which time his work was exhibited widely and documented in the media. Kurt’s work has been exhibited at The Institute of Contemporary Art, Boston, The Somerville Museum, The Museum of Fine Arts, Boston, among others - including galleries, and private and public venues. He is a graduate of the Massachusetts College of Art and Design, with a BFA in Art Education, and The Art Institute of Lesley University, where he earned an M.Ed. in Art Therapy. He is a licensed social worker and mental health counselor. His work in the field of human services has informed and guided his creative process, exploration, and the content of his work. Since moving to Provincetown, his work has been shown in open and juried shows at the Fine Arts Work Center, the Pilgrim Monument Museum, The Commons, and the Provincetown Art Association and Museum, where Kurt participated in the Museum’s first open member show in 1973 while an art student.
Kurt is best known for a body of work that chronicles the earlest days of the HIV/ AIDS epidemic, at that time his work was exhibited widely and documented in the media.
Kurt’s work has been exhibited at The Institute of Contemporary Art, Boston, The Somerville Museum, The Museum of Fine Arts, Boston, among others - including galleries, and private and public venues.
Kurt is a guitarist and harpist and singer-songwriter. He has a long history as a political activist, and performer. Kurt has performed at memorials, educational events, as well as entertainment venues.
These pages are under construction and will serve as a repository for current and past performances.
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Photography by Gail Crosman Moore
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